Derby Hill’s self-titled debut EP, Derby Hill, arrives without flash or pretence, and that is precisely its strength. Rooted in folk, country, and Americana traditions, the five-track release feels like a set of late-night conversations captured on tape—songs that don’t…
The collaborative project from Brighton-based electronic and visual artist Third Bloom and genre-defying singer, pianist, and composer Mishkin Fitzgerald unfolds like a cinematic artefact recovered from a future long after collapse. Predominantly instrumental, the record resists conventional song structures in…
Class 2 Rapids feels exactly like its title suggests: not a violent plunge into chaos, but a restless, churning journey where momentum matters more than speed. Robbie Rapids’ second solo album arrives as a confident statement from a Gen X…
Bill Barlow has never sounded content with staying in the shadows, and Out of Obscurity feels like the moment where he finally steps forward without hesitation. This album is not subtle about its ambition. At twenty-three tracks, it announces itself…
From the first seconds of Plague Protocol, it is clear that Deathkrush is opening a rift. This is music forged in pressure, in uncertainty, and in the suffocating tension of a world that feels perpetually on the edge of collapse.…
Anthony Rausku’s Another World feels less like a comeback and more like a conversation across time. Released on December 31, 2025, the album revisits songs first conceived in the 1990s during Rausku’s early years with Kamikaze Pilots, but it does…
Giuseppe Cucè’s 21 grammi invites the listener into a reflective space where music, spirit, and identity intertwine, drawing inspiration from the age-old question of whether the soul itself has weight. Across nine carefully sequenced tracks, Cucè constructs a body of…
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