Eps & Albums

“Time Flies” by  Dexter in the newsagent

In the act of grieving a loved one, era becomes a confusing double-edged sword. You seek to adapt a future version of yourself less consumed by grief but also realize that in order to become that person, time must pass…

“The BPM” by Sudan Archives

Sudan Archives named her first album after a Greek goddess, her second after a prom queen. Yet no swaggering persona has ever concealed the doubt that courses underneath her music. The 31-year-old violinist deals in cracked braggadocio and hidden insecurity. “I’m…

“RAGGED” by Taro Kinard: The Beautiful Mess of Growing Up Broken

Leeds-based artist Taro Kinard arrives with a striking statement of raw individuality and self-discovery on their new EP, RAGGED, released November 7, 2025. As the title suggests, this collection of six tracks is a tapestry of imperfection—threads of pain, humor,…

“I Love My Computer” by Ninajirachi

A friend of mine has a gripe with most modern filmmakers: She says they don’t really know how to portray smartphone use. Shouldn’t people in films, she often wonders, be texting and scrolling more and talking less? It’s true that,…

“Between the Shadows” by Jonni Slater — Where Light Finds Its Shape in Darkness

There’s a stillness at the heart of Jonni Slater’s new album, Between the Shadows — a quiet pulse that feels deeply human and expansively cinematic. Released on November 7th, 2025, this Glasgow-based singer-songwriter’s latest work is less a collection of…

“Sweet Sounds” by Volcanic Shores — A Cinematic Journey Through London’s Sonic Soul

There’s something about Sweet Sounds, the new EP from London-based project Volcanic Shores, that feels like a warm breeze cutting through the city’s concrete chill. Released on November 10th, 2025, this four-track collection is a sonic postcard from late nights…

“Through the Wall” by Rochelle Jordan

On Through the Wall, Rochelle Jordan is a diva of the after‑hours, with control like Janet and poise like Diana Ross. Big hair, noir lighting, diamonds catching low light—she’s grounded, unhurried. “Don’t be afraid to take up space,” she earnestly declares at the start of “On…